9/20/2023 0 Comments Yep roc records address![]() Never mind that nobody really buys records anymore. Plus, to make the kind of records I know how to make is incredibly expensive. So I wasn’t exactly laden with new material. I can spend quite a long time fiddling around with some little two-and-a-half minute tune, then finally go, ‘Oh, I’ve heard this before so many times,’ and just drop it. I write songs all the time, but the thing about getting older is that I’m extremely self-critical. “First, I’ve never been particularly prolific. “I’d been dodging the thought of making more records for a few reasons,” Lowe says. But suddenly, the affable rocker-next-door felt he had to step back to take stock of his situation. As detailed in a lengthy retrospective feature in Rolling Stone this past December, Lowe had ridden into 2018 astride a storied forty-plus year career as an artist, producer and one of the most-revered songwriters of his generation. I'll never forget it.Īlso, the Tubes did their show without the aid of any of their theatrical elements and absolutely kicked ass.Three years ago, Nick Lowe had almost convinced himself that his days of making records were over. Anyway, during the final song, Marshall glanced at his watch, turned to Robert, and they cut the song at exactly the 30 minute mark. It sounded like there were a dozen voices up there. They then tore through the most amazing set of songs -all of it made up of songs from his debut and Field Day- and their harmonies were glorious. The show started late in the morning, it was already muggy, and Marshall came on the stage, immediately announced that they wanted to play a full show for us, but that he'd been sternly instructed that they couldn't go past 30 minutes. Get this, the lineup was Marshall, The Tubes, and Hall & Oates. It was at this outdoor shed, Songbird Center, that was tucked away in rural Ohio and ended up having only a two year lifespan. I saw Marshall in the summer of in June of 1983 with that trio made of up of his brother Robert on drums, Chris Donato on bass, and Marshall. Ordered! I'm so happy to be getting this and BEYOND OVERJOYED that Field Day will be following close behind. Track 15 released on Shake Records single SHK-104, 1981 Track 14 released on expanded edition CD - Warner Archives/Rhino R2 79916, 2000 Someday, Someway (4-Track Home Recording) *.Just Not for Me (4-Track Home Recording) *.(You're My) Favorite Waste of Time (4-Track Home Recording) *.Marshall Crenshaw (40th Anniversary Expanded Edition) (Yep Roc YEP-3027, 2022) ( Amazon U.S. (Next Friday is the first Bandcamp Friday of the year if you pre-order the album from there on that day, Crenshaw and Yep Roc get the portion of sales revenue that would normally go to the platform.) The album will be available once more on February 17. The track list for Yep Roc's expansion of Crenshaw's debut is below, along with pre-order links. ( Intervention Records issued an expanded vinyl edition of that album in 2017 that included the original US Remix EP.) For now, the newly-expanded Marshall Crenshaw is going to be easier than checking Discogs to find - and if you've somehow missed this album in the last 40 years, trust us that you'll want to make up for lost time. The website Rock NYC confirmed some of Crenshaw and Yep Roc's plans for his Warner albums: Field Day is slated to get a similar reissue for its 40th anniversary in 2023. (When not keeping busy on other current projects, from a long-gestating documentary on legendary record producer Tom Wilson to tour dates on his own and with The Smithereens (following the passing of original frontman Pat DiNizio), Crenshaw has revisited some of his back catalogue, including an expanded reissue of 1999's Miracle of Science and a curated vintage live collection.) Marshall Crenshaw, Field Day (1983), Downtown (1985) and Mary Jane & 9 Others (1987) are all digitally unavailable, as is Thank You, Rock Fans!!, a 1982 concert issued on vinyl by Warner's Run Out Groove in 2017. Records, have fallen out of circulation as the singer/songwriter has successfully claimed the copyright from his old label. The timing couldn't be better: several of Crenshaw's classic albums, recorded in the '80s for Warner Bros.
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